Jackie Kennedy was distraught at the nature of Oswald's political identity. Her husband, she said, "didn't even have the satisfaction of being killed for civil rights. . . . It had to be some silly little communist. It even robs his death of meaning."
It's not reason that is at the heart of modern-day liberalism but rather the claim to superior virtue and, even more important, to a special knowledge unavailable to the unwashed or unenlightened. Depending on the temper of the time, such virtue and knowledge can derive disproportionately from scientism or mysticism--or it can mix large dollops of both. "Camelot and the Cultural Revolution" lays bare the long-ignored failure of intellect that hastened the decline of American liberalism. If liberals can belatedly come to grips with their failure to acknowledge Oswald's political identity, they might be able to celebrate a revival that involves more than a Broadway show.